This is what I see through false eyes and a hole in the siding. A gape and then flooding. A gape in the ribs and then flooding called breath. Then the red curtain and phrase of one and one. As if painted, the sky approaching sunset, duration of fire. Smoke fills our lungs as we mount, two by two along the wooden railing. Placed, we receive bouquets of patience. The strum of. And guitar,
garden dry wall crumbled and branches a-fade, fading. The call outlined with an arc of birds in the sky. Circling. Felt in my hair, a moment, then hands put to. Well of the eyes. We stoop and they sweep the tin siding, the roofing patented green. For the lost. This is the way that it has to be. As in her eyes on the edges of her lower lids. For the sight lines and valley over brilliant blue battering. A falling. Flag foment and the pages crease. And, creasing, share over the marble and granite sun. Over forms accidentally there.
The moment clouds enter the building, in the outline of our shadows. Don't ask how this occurs, akin to roses, browning along the edges. Trees, the necessary distance from flames. We write them off shore, securing the mind's eye. As in his aviary birds of knowledge fly captive, saved from asphyxiation. A way of leaving the field of snow and fire while flying forward without a chance for adjustment, nothing caught in the clearing
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The title of this book really contains commas, not semicolons, but the site does something really strange to this title (rearranging it and such) when I use the commas. So the book is _Knowledge, Forms, the Aviary_ by Karla Kelsey. It was the winner of the 2005 Sawtooth Poetry Prize, selected by Carolyn Forché.
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