Morning (Billy Collins)

Why do we bother with the rest of the day,
the swale of the afternoon,
the sudden dipinto evening,

then night with his notious perfumes,
his many-pointed stars?

This is the best--
throwing off the light covers,
feet on the cold floor,
and buzzing around the house on espresso--

maybe a splash of water on the face,
a palmful of vitamins--
but mostly buzzing around the house on espresso,

dictionary and atlas open on the rug,
the typewriter waiting for the key of the head,
a cello on the radio,

and, if necessary, the windows--
trees fifty, a hundred years old
out there,
heavy clouds on the way
and the lawn steaming like a horse
in the early morning.